In Wind Of Gold, artist Vo Van Quy opens a gentle yet powerful abstract world, where the color yellow becomes a visual fulcrum and evokes a feeling of movement as gentle as the breath of wind.
Unlike the fierce and turbulent nature of The Essence of Light, this work tends towards subtlety and elegance. The composition is built with pale color blocks – white, light purple, beige – interwoven with brilliant yellow accents. The yellow color does not dominate the entire space but only appears as streaks of sunlight, as dots on a misty background, creating a balance between light and dark, warm and cold, solid and empty.
The oil paint is treated softly, allowing the painting surface to be both translucent and deep. The overlapping layers of color seem to evoke an invisible breeze blowing through, vibrating the entire space. Looking at it for a long time, the viewer feels the quiet movement of nature, like when sunlight blends into the thin layer of mist in the early morning.
On a broader level, Wind Of Gold is not just a visual representation of wind or light. It also evokes a state of mind: a calm, stillness, where people feel the beauty of fragile, fleeting but eternal things. The large white spaces are the “silence” for viewers to breathe with the work, to let their imagination fly freely.
If The Essence of Light is the roar of cosmic energy, then Wind Of Gold is the gentle symphony of the atmosphere, of serenity. The two works complement each other, showing the rich openness in the abstract language of artist Vo Van Quy: it can be explosive or calm, but always suggests a world beyond conventional depiction.


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