Temple Layer

“Temple layer” evokes a deep association with time, memory and the sustainability of civilization. The main color scheme is gray-white with a thick, ribbed surface, creating the feeling of stone walls stained with traces of time. On that background, the bright yellow patch is like a streak of light passing through the ruins, evoking both sacredness and an indelible mark of memory.

Những đường chỉ The thin red and blue chạy ngang qua bức tranh giống như những vết nứt, những đường gân hoặc mạch ngầm, tượng trưng cho sự kết nối giữa quá khứ và hiện tại. Bố cục mở, phi đối xứng, nhưng vẫn giữ được sự cân bằng thị giác, khiến người xem có cảm giác đứng trước một di tích vừa cũ kỹ, vừa sống động.

The special point of this work is the way the surface material is treated: the paint layers are overlapped, scratched, and built up to create a relief effect, bringing painting closer to sculpture. This highlights the concept of “layers” – layers of color, layers of time, layers of memory, layers of culture.

With “Temple layer”, the artist does not specifically recreate a temple, but evokes the abstract space of collective memorywhere people realize the fragility of the present before eternity, but at the same time see hope in the still-burning golden light.

This is a work rich in philosophical depth, turning abstract painting into a dialogue about history, memory and eternal human beliefs.