Hong Hoang

In Hong Hoangartist Vo Van Quy opens a door that leads viewers back to the primordial depths of life – where earth, fire, blood and light blend into a primitive symphony. The work is like an energy field, both chaotic and potentially orderly, taking us back to the “beginnings” of the universe and of humanity itself.

The earthy brown and pink-red tones play a dominant role, creating a raw, instinctive and wild feeling. Brown evokes mother earth – the material of birth, while pink and red are not only the heartbeat of life, but also the blazing fire of opening. The collision between the two tones creates moving “flows”, like erupting lava, like cracks giving birth to the first shapes of life.

The remarkable point is the author's strong and decisive use of the pen, alternating rough patches with silvery streaks of light. Here, the visual rhythm is created not from balance, but from collision - a chaotic and vibrant thing. It is this collision that brings out the feeling of "origin", making the viewer feel like they are standing before the moment the universe is conceived, life begins to sprout from chaos.

At its deepest level, Hong Hoang is not just an abstract painting, but a philosophical reflection: all births begin from the primordial land, from the wild, from collision and breakdown. It is the endless cycle of the universe and also the spiritual journey of human beings – from the vague origin, we find our essence.

If Regeneration is an affirmation of the power to overcome desolation, then Hong Hoang is an epic of openness, where the “unformed” contains all possibilities. The work not only recalls the primitive past, but also invites viewers to return to their own innocence, instincts and deepest roots.